NOVEMBER REVIEWS by Mike Baron THE GLAD MACHINE (Spirithouse) This Massachusetts quartet’s debut album kills with a sublime collection of crunchy hooks and wailing guitars, with massive Who-type chords. Brad Thayer’s elegant vocals swoop effortlessly from tenor to falsetto, as on the Raspberries-like “Tonight.” “Wave” swirls around a Great Buildings foundation, with a thalamus-pleasing echo […]